introduction to digital media | |
sequential images | |
the phenakistiscope (meaning: deceptive view) invented simultaneously in 1831 by Joseph Plateau (Belgium) and Simon Stampfer (Austria) a cardboard disc with slots around the edge, and drawings between the slots, was spun on an axle in front of a mirror |
|
the
zoetrope invented in 1834 by George Horner, who called it a daedalum or daedatelum a cylinder with slits cut vertically in the sides; on the inside of the cylinder, beneath the slits, is a band with sequential images as the cylinder spins, the user looks through the slits at the pictures on the opposite side of the cylinder's interior |
|
etienne
jules marey b. 1830 d. 1904 a surgeon who specialized in human and animal physiology, who later became professor of natural history the inventor of the chronophotograph (1887), from which modern cinematography was developed Marey used only one camera, and recorded multiple movements on one photographic plate for studies of motion, Marey had his subjects wear black suits with metal strips or white lines |
|
edweard
muybridge b. 1830 d. 1904 born in england, worked as a professional photographer in the united states had a mobile dark room he called "the flying studio" and first worked under the trade name "helios" used multiple cameras, placed in a line, with shutters triggered elecro-magnetically by movement of subjects developed the zoopraxiscope in 1870 to create moving images of his still sequences |
|
flip
book |
|
motion
capture the creation of a 3D representation of a live performance software tools now allow animators to work with motion-captured data, editing and blending takes from multiple sessions |
|
laszlo
moholy-nagy photograms made by placing objects on light-sensitive paper and exposing them to light without the use of a camera |
|
stilling
a moment |
|
doc edgerton, corona, 1936 |
|